1878: Iron Men – The Pullis Brothers.

Several years ago, I visited with Andrew Weil, Executive Director for Landmarks Association of St. Louis. This group is “the primary advocate for the (St. Louis) region’s built environment.” They’re a group essential to identifying and preserving the best of our architectural heritage. On the wall behind Andrew’s office desk is a large photo of three townhouses in Lafayette Square. Recognizing them, I asked Andrew about their significance to him. He replied that they are his favorite houses in the city. No small praise there.

1738 Park Place, 1827 Kennett Place and 2008 Rutger Street. There is something connecting these three non-adjacent Lafayette Square addresses. 

They were the homes of three men, three brothers, and three partners in one of the most significant industries of late 19th century St. Louis. These were the Pullis brothers; Theodore, Augustus, and Thomas.  

As architectural ironworks go, Mississippi Iron Works was both huge and diversified. Originally known as T.R. Pullis & Brothers, it created a number of the cast iron storefronts still standing in Lafayette Square, Laclede’s Landing, and in the fanciful gazebos of Tower Grove Park. 

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1875: Barnum’s Hippodrome

The distinctive Four Courts building was St. Louis’s early center of civic justice. It appears in the Compton and Dry Pictorial map from 1875. The map also displays what looks like a circus tent across the street. Camile Dry drew in many quirky but accurate observations. Knowing this, I set out to discover what was in town there. That brought me into the world of P. T. Barnum and his great traveling Hippodrome. 

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1933: Mary’s Dreamland On Park Ave

A recent essay dealt with the history of 1717 Park Avenue and its long backstory. https://lafayettesquarearchives.com/1896-a-stable-history-of-1717-park-av/

1727 Park Avenue to the left; MO Historical Society; 1932

A 1932 photo from that essay reveals the property next door. It’s still recognizable as today’s Square One restaurant and microbrewery. That two story building and side garden at 1727 Park Avenue was Mary’s Dreamland in the 1930s, and entertained the night crowd throughout its long tenure.

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1926: Bix Plays The Arcadia Ballroom

Arcadia Ballroom in the 1930s. St. Louis Post-Dispatch

A brief history of the Arcadia Ballroom

3517 Olive Street is a parking lot across the street from the St. Louis University Wool Building. A two story building stood here for years, beginning around the time of World War I. Originally the Dreamland Dance Palace, in 1915 it became the Arcadia Ballroom.  

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1901: CF Blanke and the Aerial Globe

C.F. Blanke Building; c/o Paul Sableman; 2015

Ever noticed the 5 story, vaguely moorish looking building pictured above? 

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1919: The Most Distinguished Woman in Lafayette Square

In his book about Lafayette Square, John Albury Bryan wrote that Phillip North Moore and his wife Eva Perry Moore were the most distinguished couple to have ever lived there.

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1857-1898: The German Newspapermen

Here’s the tale of three interlinked German-American newspapermen. They’re featured at the statue of The Naked Truth at Grand and Russell, and all three lived in Lafayette Square.

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1878: The Power Couple of the Square

For starters, you won’t find the house and I can’t find a photo. How then to write about the Pulsifers? Probing a more obscure part of Lafayette Square history, it’s instructive in what it touches. Let me draw you a word picture.

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1866: Stephen Barlow Rocks Lafayette Park

Stephen D. Barlow was a pioneer; the first to develop land directly opposite Lafayette Park to the east. He was born in Vermont in 1816 and first came to St. Louis in 1839. 

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1868: Founders, Foundries And Statues In The Park

A colossal (technically speaking, twice life-size) bronze statue of Thomas Hart Benton resides in St. Louis’s Lafayette Park. It was cast by Ferdinand Miller in 1864 at the Royal Metal Foundry of Munich in Bavaria.

This grand giant, the first public monument placed in Missouri, was produced by a rightly famed sculptress, Harriet Hosmer. She is profiled in an earlier essay here.

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